The improvements this completely new circuit topology introduced resulted in a level of CD playback quality that was previously un-imagined. So, that is exactly what we decided to do, and the results were dramatic, to say the least. Digital filters and the associated over sampling had been broadly discussed, analysed and criticised, but what no-one had done at this time was to remove them altogether, to see what their real effects on ultimate sound quality were. What we learnt from the experiments with the digital / analogue interface transformers and filters in the DAC3 was that there had to be more information available on the discs than previous believed. Our first defining assault was made in 1992 when we introduced the DAC3, which, with its patented transformer / filter interface circuit, revolutionised CD play back. To understand the path that led us to the development of our current range of Digital to Analogue Converters, it is worth looking back at our ‘digital history’. Although we cannot defeat the inherent limitations of the format and its recording engineers, we have elevated CD reproduction to a previously un-attained level of quality and performance, and with the DAC 5, we proudly present our most radically advanced and iconoclastic digital circuit design so far. ![]() This dissatisfaction was the instigating force in our quest to make digital playback more dynamically realistic and less fatiguing. Ever since its introduction, we at Audio Note have been highly critical of digital music reproduction.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |